Her classroom was in the New York City Center and she sat on a throne.Along with her lectures she usually had stud Her acting theory is basically grounded in discriminating details about your situation and recognizing the social significance of those details so that you can elevate the piece.Īdler and her one time husband, Harold Clurman (Founder of the Group Theater) were what might be considered the pionee A compendium of Stella Adler's lectures in the 1980's at her acting studio comprising her philosophy on acting and living. Also her acting theory is for realism, and she believes that the only way to act realism is to play the poetry, so elevation is huge for her- but only if it comes from understanding of your responsibility. Her acting theory is basically grounded in discriminating details about your situation and recognizing the social significance of those details so that you can elevate the piece. I definitely recommend and would read it again. So you simply translate it into a modern situation (sounds obvious I know, but some examples given the times she lived in, made me laugh).For me personally it was full of such valuable information I did something I usually never do with a new book I highlighted large portions. A lot of what Adler gives as examples for physical or mental practice of character building is old-school.
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